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Innovative Education

“退行前现代”

摘要:在《悲剧的诞生》中,尼采自萨提尔,即酒神狄俄尼索斯的役从溯源了“信徒-歌队-酒神形象”的循环过程,这一过程通过“魔变”和“摹仿”的实现趋向于尼采口中“太一”的整体性。而在詹姆逊对晚期资本主义后现代性的分析中基于大众消费而起的大众文化与精英文化的分野撕裂了整体性。爱森斯坦的“退行”概念则为诞生于“前现代经验”的“前现代逻辑”提供了支撑,也为后电影时代集体观影提供了可行性。

Author 胡世轩
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